ON SACRED GROUND TELLS THE TRUE STORY ABOUT THE DAKOTA PIPELINE PROTEST
Directed by Josh Tickell, Joshua Tickell, and Rebecca Harrell Tickell, On Sacred Ground (subtitled It’s Time to Take a Stand) starts with a series of titles to provide filmviewers some background information, including the lawsuit filed against the Dakota Access Pipeline project by the Dakota Nation in 2016. Later, the fact comes out that the oil is to be exported from the United States after the long journey to the Gulf of Mexico. Although the pipeline was built and began operation in 2017, a court ordered the pipeline to stop operation in April 2022 pending an environmental review.
The film begins in a small town in Ohio, where Daniel McKinney (played by William Mapother) is living with his pregnant wife (Amy Smart). A freelance journalist and an empathetic Christian who once covered in the Iraq War, he often has nightmares about his wartime experience. One day Ricky (Francis Fisher), editor of the Houston Daily on the pay of a Texas oil company, summons him to glorify the pipeline after looking into his background as a writer likely to praise the project. Daniel then flies to Standing Rock Reservation, where members of the Dakota Nation are protesting. First, he meets Elliot (David Arquette), overseer of the project, and acquires positive information about the project, including BS that Dakotans assault them with bows and arrows. Then he submits a pro-project essay for publication. But while talking with Elliot, he discovers an arrowhead on the ground. Next, he meets some Dakotans, who consider the land sacred, including Marion (Mariel Hemingway). He soon realizes that mainstream news about the protest has been false. The Dakotas fear that the pipeline, which they call the “black snake,” will go under the Missouri River and inevitably leak, destroying the main source of their fish and water. Even Elliot has admitted that a leak is possible and hopes that oil someday will be replaced by renewables. In addition, a lawyer tells Daniel that the project is using land that two treaties have awarded to the Dakota Nation and thus is unconstitutional, though digging is taking place regardless of a pending court case. After submitting the arrowhead to a scientist for analysis, he discovers that the object is 1,500 years old, which he soon surrenders to Marion. When he goes to the site where protesters confront the diggers, separated by barbed wire with police on the side with the diggers, he also meets some former Iraq veterans who have joined the protesters. One night the protesters are bombarded with water. Another night the tents of the protesters are burned. He then confronts Elliot and writes about what is really taking place. When the film ends, he comforts his wife and their newborn baby boy.
The Political Film Society has nominated On Holy Ground as best film exposé and best film on human rights of 2023. MH
BROKER EXPOSES AN UNDERGROUND ADOPTION RACKET IN SOUTH KOREA
Adoptions in South Korea are a big business. American families seeking to adopt children pay less for adopting Korean than American-born children. South Korean couples also adopt children so that they will be viewed as having normal families. Those not adopted end up in orphanages until adulthood.
Released on Korean American day, Broker (Beurokeo in Korean), directed by Hirokazu Koreeda, begins when So-Young (played by Lee Ji-Eun) puts a baby on the ground outside a church “baby box” one night. Meanwhile, Soon-Jin (Doona Bae) and Lee (Lee Joo-Young) are surveilling the area for the poice to track down those reportedly selling babies on the black market. Soon-Jin then puts the baby into the “baby box.” Those running the illegal business, middle-aged Sang-Hyun (Song Kang-Ho) who owes money to gangsters, and youthful Dong-Soo (Gang Dong-Won) who grew up as an orphan, find a note with the baby indicating that the mother will return. By law, a baby accompanied by such a note cannot be legally adopted and must be sent to an orphanage. When So-Young returns the following day, her aim is to collect a portion of the price that adopters pay for the baby; she considers the two men to be “brokers.” Next, the two policewomen track the brokers with So-Young’s baby so that they can make an arrest whenever cash flows to prospective adopters. The policewomen are aware that So-Young is a prostitute who has killed one of her clients, but their priority is to shut down the underground trafficking. The film then traces unsuccessful efforts to find adopters: In one effort, the adopters lower the price they are willing to pay and walk away. In another situation, a policeman and woman pretend to seek adoption, but the brokers realize that they are decoys and avoid entrapment. Then the two policewomen make a deal with So-Young if she will cooperate to arrest the brokers. Filmviewers must see the end of the slow-moving film to find out what happens. Although the story is fictional, the brokers and sex worker give special care given to the baby as if members of an extended family. MH