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Political Film Review #208

TWO FILMS FOCUS ON HOW CORPORATE GREED CREATES POVERTY Why would an apolitical medical student from an affluent family in Buenos Aires become a revolutionary? The Motorcycle Diaries (Diarios de Motorcicleta), directed by Walter Salles, not only explains why but also reminds filmviewers that the same injustices, which affected him so profoundly, still exist. With

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Political Film Review #207

POLITICIANS ARE BOUGHT & SOLD FOR PIECES OF SILVER IN SILVER CITY If documentaries shaped public opinion, Control Room, Fahrenheit 9/11, The Corporation, The Hunting of the President, Outfoxed, and Bush’s Brain would have already sewed up the election for John Kerry. The feature film Silver City appears to be an indictment of the naïveté

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Political Film Review #206

A KOREAN FILM DEPICTS WAR AS AN INCUBATOR FOR THE DEHUMANIZATION OF WARRIORS Korea’s Civil War is relived through the fictional experiences of two brothers in Taegukgi Hwinalraimyeo (Korean Flag Waving Victoriously), South Korea’s top moneymaking film. When the film begins, an artifact is discovered at an archaeological site, identified by lettering on a pen

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Political Film Review #205

TWO FILMS SHOW HOW THE IMPACT OF NAZI GERMANY CONTINUES TO AFFLICT MEMORIES & MEDICINE Although Nazi law exempted Jewish spouses from liquidation if they married “Aryan” Germans, in February 1943 the Gestapo rounded them up anyway. When the film begins, sixty-year-old Ruth Weinstein (played by Jutta Lampe) is mourning the recent death of her

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Political Film Review #204

TWO VILLAGES DEFEND THEMSELVES AGAINST IMPOSSIBLE ODDS The Village is obviously allegorical, but different filmviewers will probably see different lessons. To conjecture about the allegory in a review, however, requires a “spoiler” on the manifest content of the film. Edward Walker (played by William Hurt) evidently is a millionaire who bought a large plot of

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Political Film Review #203

A GIANT CORPORATION CONTROLS A PUPPET PRESIDENT IN THE MANCHURIAN CANDIDATE In 1962, The Manchurian Candidate was released but quickly withdrawn because of a possible adverse impact on the public, which was perceived to be more credulous in those days; the film was reissued in 1988, but the black-and-white format placed the film outside the

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